Theatre Royal Haymarket
London, SW1Y 4HT
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Opened: 12 Dec 2016
Booking from: 17 Mar 2017
Booking until: 18 Mar 2017
Duration: 2 hours 37 minutes (including 20 minute interval)
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  • helenkeegan 5' 3" female 38 reviews 0 helpful votes
    100% total rating Love's Labour's Lost, 12th December 2016
    Another great interpretation of Shakespeare from the RSC. Love's Labour's Lost is brought up to Edwardian times and World War One and it works rather well. I thought I might find the Shakespearean script a bit tricky as I wasn't familiar with the play beforehand, but there was no need to worry as it was fine and I could keep up with everything.
    Sat in Stalls L21
    There's a great view from this seat even though you're at the end of the row. There's no obvious restriction to the view. The raking is good so you the person in front is not obstructing your view and the seats are comfortable. Plus, as you're on the aisle, you have a bit extra legroom.
  • susannahrosemn 5"3 female 113 reviews 3 helpful votes
    80% total rating Love's Labour's Lost, 17th January 2017
    Thoroughly enjoyed this production, which was incredibly funny but also extremely touching. Thought the set design was brilliant and transporting the story to pre-First World War was inspired. Excellent performances from Edward Bennett and Lisa Dillon. Definitely preferred this production to its "Much Ado" counterpart.
    What an amazing seat! It's dead centre of the row, three rows back from the front. You can see well above the people in front of you and get an incredible overall view of the stage. It's a fairly narrow seat and the legroom isn't great, but you ignore this for the exceptional view. Would definitely sit here again!
  • livb 5'6 female 188 reviews 40 helpful votes
    80% total rating Love's Labour's Lost, 13th December 2016
    Sat in Stalls K15
    This seat is unyielding and so not particularly comfortable! It's also a little on the narrow side, with just enough legroom. However, you can't fault the view, and it's worth the discomfort for that alone! You are close enough to feel part of the action, but far back enough that you've no problem seeing all the stage at once. There was no problem with people in front, and although the stage is high, from here it is actually at just the right level.
    K15 Stalls - Theatre Royal Haymarket - Seat Review & View Photo
    View from Stalls K15
  • sarahhollis 1 review 0 helpful votes
    100% total rating Love's Labour's Lost, 9th January 2017
    I am not an expert when it comes to Shakespeare but this lesser known comedy was so superbly acted and staged, I would be surprised if anyone walked away from the theatre disappointed. The acting was first class all round and the stage sets beautiful and obviously well researched. Go see it soon!
    Sat in Stalls G15
    Not normally a Stalls fan but these central seats are fantastic, you could study the actors close up and smell the action from here! Would definitely buy again.
The Theatre Royal Haymarket offers the best views in the Stalls, with the clearest views in the mid-front. Sit in the front of the Upper Circles for the best view on a budget.
Theatre Royal Haymarket, London interactive seating plan & seat reviews
Christopher Luscombe (Nell Gwynn) turned his hand to two of Shakespeare’s greatest comedies, having ran at the Theatre Royal Haymarket for a limited season. In collaboration with the RSC and Chichester Festival Theatre, Love’s Labour’s Lost and Much Ado About Nothing, otherwise known as Love’s Labour’s Won ran in rep. Following a successful 2014 run in Stratford-upon-Avon and Chichester, the double-bill opened in the West End on December 9th 2016.

Love’s Labour’s Lost is catapulted into pre-war 1914, following the King and his friends as they pledge to avoid all women for a firm three years. Unfortunately, their oath comes under scrutiny when the pleasant Princess of France and her lovely ladies-in-waiting arrive. Widely acknowledged as one of Shakespeare’s best comedies, Love’s Labour’s Lost examines the influence of the female sex, suggesting that they may be the most powerful gender of all. Only at the end of the play are the lovers forced to be apart, as the world takes a dark turn into the beginnings of the devastating World War One.

Following his recent appearance in Photograph 51, Edward Bennett played Berowne, a role that has previously been portrayed by Shakespeare connoisseur Kenneth Branagh. Lisa Dillon joined him playing Rosaline. Dillon is best known for her other work at the Royal Shakespeare Company, as well as her much loved television role as Mary Smith in Cranford. Love’s Labour’s Lost was directed by Christopher Luscombe, who had recently enjoyed success with Nell Gwynn and had also helmed popular productions Wicked and The Madness of King George III. The production also featured design by Simon Higlett, lighting by Oliver Fenwick, sound by Jeremy Dunn and choreography by Jenny Arnold.

Love’s Labour’s Lost appeared as part of the Shakespeare celebrations, marking 400 years since his death, with several Shakespeare plays taking place across London at venues including the Barbican. Having opened at the Theatre Royal Haymarket on December 9th, Love’s Labour’s Lost ran until March 18th 2017.
Fans of Shakespeare will enjoy seeing this new adaptation of one of his less-performed comedies, which places the production pre-war. Love’s Labour’s Lost is recommended for ages 11 and up.

Age Recommendations: May not be suitable for very young children